KevinHauger is a writer and actor joyfully afflicted with cinephilia. Kevin has spent thousands of hours discussing movies, theatre, music, games, anime, and the role of storytelling and entertainment in everyday life. Kevin has a habit of giving everything from Oscar nominees to holiday fillers equal consideration, and finding meaning in the seemingly mundane. Kevin was drawn to The Hollywood Insidermission to support substantive, meaningful journalism, as he believes discussion of art can affect us as profoundly as the art itself. He writes reviews and features that entertain and provoke, and that hopefully provide more questions than answers.
Jun 14, 2022
Table of Contents
Photo: The 2022 Tony Awards
The Recap
This year’s Tony Awards featured an excellent selection of shows, with many of the categories being a toss-up right up until the winner was announced. Myles Frost and Deirdre O’Connell, in particular, earned pleasantly surprising wins. O’Connell herself acknowledged the unconventionality of Dana H. in her acceptance speech, saying “Please let me standing here be a little sign to you from the universe to make the weird art.”
Speaking of unconventionality, Michael R. Jackson’s A Strange Loop won Best Musical to a standing ovation. Jackson’s hyper-meta, uncompromising take on being a black, queer writer took audiences by storm, and Jackson himself showed up in a hot pink, cape-length overcoat to match the hype.
Michael R. Jackson was not alone among queer winners. Toby Marlow, the first openly non-binary recipient of a Tony, won alongside co-writer Lucy Moss for the score of SIX: The Musical. Moss and Marlow’s concert-style reclamation of the stories of Henry VIII’s six wives has become a steadily growing cultural phenomenon since the initial release of their studio album, which came before the show’s run. The Tony awarded to them has brought the journey full circle.
If one person stole the show Sunday night it was Joaquina Kalukango, whose performance of “Let It Burn” as part of the performance for Paradise Square brought the house to its feet. Kalukango won for Best Leading Actress in a Musical and showed exactly why.
As for the other performances of the evening, MJ and SIX stood out among the nominated shows, and the original cast of Spring Awakening celebrated/advertised the documentary made last year for the show’s 15-year anniversary with a tender performance of “Touch Me.” Bernadette Peters performed “Children Will Listen” in a touching tribute to the late Stephen Sondheim. Some of the other show’s performances, most notably A Strange Loop, ran into clunky sound mixing issues that are not uncommon for the Tony Awards.
Ariana DeBose hosted the ceremony, largely as a result of her recent, Oscar-winning performance as Anita in Spielberg’s ‘West Side Story.’ Her over-the-top energy got mixed reactions, and unfortunately her songs, despite her talents, were less than stellar. Her parody number about actors going into the audience left us with a hilarious segment where she sat in Andrew Garfield’s lap, but the rest of it felt truly strange.
Moving in the opposite direction of the Oscars, who seem to cut another award from the broadcast each year, Paramount+ offered a streaming-exclusive segment of the ceremony that covered the tech awards, as well as the honorary awards including Angela Lansbury’s Lifetime Achievement Award. Darren Criss and Julianne Hough hosted, and Criss wrote their opening number, a cute dedication to those who work behind-the-scenes that unfortunately outshined the main show’s opener.
A Brief Analysis
The 2022 Tony Awards leaned heavily into the fact that these are the first Tony Awards to be hosted in Radio City Hall since the first COVID shutdowns. The songs were big (if clunky), Ariana DeBose was as hyper as can be, and Billy Crystal had a blast getting the audience to do a call-and-response “Yiddish scat” that culminated in a theater-wide chant of “oy vey.” Throughout the night, awardees thanked COVID safety officers, but the message seems to be that Broadway is returning to normal.
If you’ll be an audience member in the near future, however, you should know that masks are still required. As a matter of fact, the cast and crew of Company played up an inside joke about Chris Harper being the person who pays Patti LuPone’s salary that comes from a video of LuPone calling out an unmasked audience member. In it, the audience member says “We pay your salary,” to which an unphased Patti LuPone rebuts, “You pay my salary? Bullshit. Chris Harper pays my salary.” So just in case, the Tony Awards read to you as Broadway being mask-free, remember that attendees of the Tony Awards were all tested for COVID before entering the building.
Though it didn’t always show through in the award-winners, this year’s nominees represented an incredibly diverse array of creators, and perhaps more importantly than the nominees themselves, the production teams receiving awards were made up of more diverse faces than you usually see. In addition to all of that, Samuel L. Jackson took an opportunity to honor his wife Latanya Richardson Jackson for being “the first woman to direct an August Wilson play on Broadway.” Her production of The Piano Lesson will begin its run on September 19th and will feature Samuel L. Jackson. In the meantime, Jennifer Hudson earned EGOT status as a producer for A Strange Loop, rounding out her Emmy, Grammy, and Oscar awards with a Tony.
As always, the Tony Awards intended to showcase some of the best shows on Broadway, and if you have a ticket in an online checkout cart somewhere, hopefully, you saw plenty of reason to complete your purchase. Broadway, against all odds, has had an excellent year.
Click here to read The Hollywood Insider’s CEO Pritan Ambroase’s love letter to Cinema, TV and Media. An excerpt from the love letter: The Hollywood Insider’s CEO/editor-in-chief Pritan Ambroase affirms, “We have the space and time for all your stories, no matter who/what/where you are. Media/Cinema/TV have a responsibility to better the world and The Hollywood Insider will continue to do so. Talent, diversity and authenticity matter in Cinema/TV, media and storytelling. In fact, I reckon that we should announce “talent-diversity-authenticity-storytelling-Cinema-Oscars-Academy-Awards” as synonyms of each other. We show respect to talent and stories regardless of their skin color, race, gender, sexuality, religion, nationality, etc., thus allowing authenticity into this system just by something as simple as accepting and showing respect to the human species’ factual diversity. We become greater just by respecting and appreciating talent in all its shapes, sizes, and forms. Award winners, which includes nominees, must be chosen on the greatness of their talent ALONE.
I am sure I am speaking for a multitude of Cinema lovers all over the world when I speak of the following sentiments that this medium of art has blessed me with. Cinema taught me about our world, at times in English and at times through the beautiful one-inch bar of subtitles. I learned from the stories in the global movies that we are all alike across all borders. Remember that one of the best symbols of many great civilizations and their prosperity has been the art they have left behind. This art can be in the form of paintings, sculptures, architecture, writings, inventions, etc. For our modern society, Cinema happens to be one of them. Cinema is more than just a form of entertainment, it is an integral part of society. I love the world uniting, be it for Cinema, TV. media, art, fashion, sport, etc. Please keep this going full speed.”
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KevinHauger is a writer and actor joyfully afflicted with cinephilia. Kevin has spent thousands of hours discussing movies, theatre, music, games, anime, and the role of storytelling and entertainment in everyday life. Kevin has a habit of giving everything from Oscar nominees to holiday fillers equal consideration, and finding meaning in the seemingly mundane. Kevin was drawn to The Hollywood Insidermission to support substantive, meaningful journalism, as he believes discussion of art can affect us as profoundly as the art itself. He writes reviews and features that entertain and provoke, and that hopefully provide more questions than answers.
KevinHauger is a writer and actor joyfully afflicted with cinephilia. Kevin has spent thousands of hours discussing movies, theatre, music, games, anime, and the role of storytelling and entertainment in everyday life. Kevin has a habit of giving everything from Oscar nominees to holiday fillers equal consideration, and finding meaning in the seemingly mundane. Kevin was drawn to The Hollywood Insidermission to support substantive, meaningful journalism, as he believes discussion of art can affect us as profoundly as the art itself. He writes reviews and features that entertain and provoke, and that hopefully provide more questions than answers.
KevinHauger is a writer and actor joyfully afflicted with cinephilia. Kevin has spent thousands of hours discussing movies, theatre, music, games, anime, and the role of storytelling and entertainment in everyday life. Kevin has a habit of giving everything from Oscar nominees to holiday fillers equal consideration, and finding meaning in the seemingly mundane. Kevin was drawn to The Hollywood Insidermission to support substantive, meaningful journalism, as he believes discussion of art can affect us as profoundly as the art itself. He writes reviews and features that entertain and provoke, and that hopefully provide more questions than answers.
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