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Few franchises embrace the weird with as much flair as Sony’s Venom series, and ‘Venom The Last Dance’ (2024) is no exception. Directed by Kelly Marcel, this third installment unapologetically leans into its goofy DNA while delivering a film that understands what its audience wants. While critics might wince at some of the movie’s sillier moments, it’s undeniable that the performance of Tom Hardy elevates this campy thrill ride into something irresistibly fun—a celebration of anti-hero chaos in its purest form.
After the mixed reception of ‘Venom: Let There Be Carnage’ (2021), expectations were tempered for ‘The Last Dance’. Yet, instead of doubling down on gritty seriousness, the filmmakers opted to go in the opposite direction, embracing the absurdity and charm that made the first film such a guilty pleasure. The result? A movie so wild and ridiculous that it circles back to being exactly what fans hoped for: an entertaining, over-the-top action flick that doesn’t take itself too seriously.
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A Performance and a Half: Tom Hardy
Once again, Tom Hardy returns as Eddie Brock and the voice of Venom, his dual performance a chaotic dance between human vulnerability and alien madness. Hardy’s ability to embody both characters without losing sight of their distinct personalities remains a marvel. His Eddie is still a slightly broken, offbeat journalist trying to keep his life together, but now with even more absurd predicaments. As Venom, Hardy delivers outrageous lines with manic enthusiasm, giving us a symbiotic relationship that feels less like a threat to humanity and more like a bizarre buddy comedy. It’s Hardy’s complete commitment to the character’s lunacy that makes the movie work; no matter how ridiculous things get, he never winks at the audience or seems embarrassed by the material.
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Embracing the Cringe with Confidence
‘Venom The Last Dance’ fully leans into its cringier elements, and that’s where it finds its strength. The humor is offbeat, the dialogue is campy, and the plot twists are absurd—but none of it feels unintentional. In a cinematic landscape full of dark, brooding anti-heroes, this film stands out because it’s not afraid to be silly.
Venom and Eddie’s constant bickering reaches new heights, with moments that feel straight out of a romantic comedy. Scenes like this shouldn’t work, but they do—because the film knows exactly what it is. It revels in its own weirdness, trusting the audience to come along for the ride.
This installment’s goofy tone may not appeal to everyone, but it feels perfectly in line with the identity the Venom franchise has built. It’s cringe-worthy in the best way—moments that would be groan-inducing in a serious film become endearing here because the movie is so self-aware. It taps into a specific kind of humor that fans have come to expect: dumb, irreverent, and wildly entertaining.
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The Anti-Hero We Didn’t Know We Needed
Amidst all the silliness, ‘Venom The Last Dance’ manages to deliver a surprisingly solid anti-hero narrative. Eddie Brock isn’t a hero in the traditional sense, and the film doesn’t try to make him one. He’s a mess—emotionally, professionally, and symbiotically—but that’s part of what makes him relatable. His relationship with Venom is complicated, dysfunctional, and oddly touching. They aren’t the perfect team, but they make it work in their own chaotic way.
This film doubles down on that dynamic, positioning Eddie and Venom as outcasts who find strength in each other. There’s a scene where Eddie gives a half-hearted pep talk to Venom, admitting that they’re both screw-ups but that maybe that’s okay. It’s a moment that encapsulates the film’s core message: you don’t have to be perfect to make a difference.
In an era dominated by polished superhero narratives, ‘Venom The Last Dance’ feels like a breath of fresh air. It’s a film about two misfits doing their best—sometimes succeeding, often failing, but never giving up. The movie understands that audiences don’t always want a flawless hero; sometimes, we just want to watch someone as messy as ourselves try to save the day.
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Final Thoughts
‘Venom The Last Dance’ is not a perfect movie, but it never tries to be. It’s goofy, cringey, and absurd—but it’s also wildly entertaining. Tom Hardy brings the A-game, delivering performances that are both hilarious and heartfelt. The film knows exactly what it is and plays to its strengths, embracing its weirdness without apology.
In a time when many superhero films struggle to find the right tone, ‘Venom The Last Dance’ succeeds by being unapologetically itself. It’s a film that understands that not every anti-hero needs to be dark and brooding. Sometimes, it’s enough to be messy, chaotic, and just plain fun.
Fans of the Venom series will find plenty to love here, while newcomers might be surprised by how much heart lies beneath the film’s goofy exterior. It’s not for everyone, but for those who appreciate a little madness with their anti-hero stories, ‘Venom The Last Dance’ is exactly what the doctor ordered.
This is Venom at his most unhinged—and we wouldn’t want it any other way.
CREDITS:
Director: Kelly Marcel
Writers: Kelly Marcel, Chiwetel Ejiofor, Avi Arad, Andy Serkis
Lead: Tom Hardy
By Jake Yancey
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Author
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Jake Yancey is a product of NYU Tisch and is passionate about engaging in substantial conversation and enriching, multi-faceted dialogue in politics, tv production, and culture. Jake is excited to work at The Hollywood Insider because he believes that Film and Journalism are humanity’s first line of defense against the chaos of an uninformed public sector and so spends his time scouting for relevant stories everywhere. Jake, driven by a strong work ethic and love for people, plans on eventually working at the studios to help develop the stories which have had such a lasting impact on him.
Jake Yancey is a product of NYU Tisch and is passionate about engaging in substantial conversation and enriching, multi-faceted dialogue in politics, tv production, and culture. Jake is excited to work at The Hollywood Insider because he believes that Film and Journalism are humanity’s first line of defense against the chaos of an uninformed public sector and so spends his time scouting for relevant stories everywhere. Jake, driven by a strong work ethic and love for people, plans on eventually working at the studios to help develop the stories which have had such a lasting impact on him.
