Patrick Nash is a writer and editor from St. Louis, MO. After studying Television, Radio and Film at Syracuse University’s S.I. Newhouse School of Public Communications, Patrick is pursuing a career as a writer at Hollywood Insider. Through his various projects, and previous experience as an Americorps Member, where he helped deliver meals to food deserts in impoverished communities, Patrick exemplifies positive change in the entertainment industry. He aligns with Hollywood Insider because of the positive philosophy of the network and its commitment to actively avoid gossip and divisive narrative by focusing on the art itself, which is ultimately what is most important. He cares deeply about substance, meaning and philosophical values in entertainment, and is excited to express these sentiments further in his work.
Mar 18, 2021
Table of Contents
Photo: New Directors
Introduction and Context
The #OscarsSoWhite controversy was really not that long ago. For those who have forgotten, the hashtag started as a response to the 2015 Academy Award nominations, where only two people of color were recognized in the major categories.
The ensuing social media drama resulted in a larger conversation around representation in Hollywood, with calls for more recognition for people of color in the major categories, as well as Hollywood itself, asking for increased representation in positions both behind and in front of the camera. The Oscars responded the following year by naming Chris Rock the host of the 2016 show, but many saw this as a bone being thrown to the audience, and not representative of any legitimate change. The Academy of Motion Picture Arts and Sciences has increased the number of younger, more diverse faces within its ranks in recent years, but the majority of voters and recognized works within the Academy remain overwhelmingly old, white, cis-male, and straight.
However, within the last few years, there has been an increased focus on and acclaim for diverse creatives within Hollywood. While many of these people have yet to be rewarded for their work in the form of major awards (with the exception of Barry Jenkins winning for 2016’s ‘Moonlight’ and Mahershala Ali’s Best Supporting Actor awards for that film and for 2019’s controversial race-drama ‘Green Book’), these faces have grown increasingly prominent in the eyes of those interested in the entertainment industry, and many have received mainstream recognition and box office success for their projects. I have always been of the opinion that the power of Hollywood lies within its ability to tell unique stories from interesting perspectives, and the creatives responsible for these stories are increasingly more diverse than ever before.
If we are to look at the premier writers and directors of the last one hundred years of cinema, we are likely to be overwhelmed by straight, white men. Not to say that these artists are necessarily bad or problematic (though some most certainly are), but the range of the types of people in that upper echelon and the kinds of stories being told is typically quite limited, especially if we’re talking about Hollywood pre-the 1970’s “New Cinema” renaissance. However, this is simply not the case anymore. Some of the greatest and most talented people in the business now are people of diverse backgrounds, in terms of race, gender, and sexuality.
Black Directors
Directors like Ryan Coogler (a Black man responsible for bringing the biggest Black superhero ever to life in ‘Black Panther’, as well as creating numerous excellent Michael B. Jordan roles with 2013’s ‘Fruitvale Station’ and 2015’s ‘Creed’), comedian-turned-horror auteur Jordan Peele (2017’s ‘Get Out’), the aforementioned Barry Jenkins (a Black, gay man, known for ‘Moonlight’ and the 2018 James Baldwin adaptation ‘If Beale Street Could Talk’), and Ava DuVernay (a Black woman, who also made one of the most seminal pieces on the prison industrial complex in 2016’s “13th”), have made some of the most profound pieces of cinematic art in the last decade.
Jenkins’s Moonlight even won over an incredibly strong Best Picture category that included Damien Chazelle’s ‘Whiplas’” follow-up ‘La La Land’ (a heavy favorite, and even a reported winner, due to a very public live snafu involving an incorrect reading of the envelope), as well as Denis Villeneuve’s heady sci-fi masterpiece ‘Arrival’.
Joon-Ho notably won Best Director and Best Picture for ‘Parasite’, an enormous breakthrough for foreign-language films, and Zhao has been handed the reigns to one of the newest Marvel franchises in the upcoming ‘Eternals’ film, with a stacked cast that includes Angelina Jolie, Kit Harrington, Kumail Nanjiani, Barry Keoghan, Brian Tyree Henry, and a rumored appearance by pop superstar Harry Styles. This is great news for fans of blockbusters, although it is troubling that South Asian, Pacific Islander, and Middle Eastern directors continue to be relatively shut out of mainstream Hollywood.
LGBTQ+ representation behind the camera has increased as well, with the likes of Luca Guadagnino (2017’s ‘Call Me By Your Name’) and once again, Barry Jenkins, along with Tom Ford, being seen as increasingly important faces for the community. While these people are certainly significant, out LGBTQ+ people remain relative outsiders within Hollywood, as controversies like “gayface” have prevented those within the community from being cast in prominent gay or trans roles, with those roles often going to straight actors portraying gay characters (like Jared Leto in ‘Dallas Buyers Club’ or Armie Hammer in ‘Call Me By Your Name’), hence the term “gayface.”
All in all, it is becoming more and more apparent that Hollywood is shifting away from the straight, white, and cis-male directors that have shaped much of the industry’s history to this point, and towards a Hollywood elite that reflects the tastes and sensibilities of the increasingly diverse and global moviegoing population. This extends to acting as well, as Michaela Coel, Jason Momoa, Oscar Isaac, Zendaya, Steven Yeun, Michael B. Jordan, Ana de Armas, Mahershala Ali, Kumail Nanjiani, Awkwafina, Elliot Page, Dwayne Johnson, and others have all seen their respective profiles rise in recent years as attention turns towards diverse people in the industry.
While these developments are encouraging, there is still much work to be done in terms of accurately reflecting these people’s experiences, but it seems likely that the next Stanley Kubrick or Leonardo DiCaprio will not be a straight white man, but rather someone who reflects the racial and sexual melting pot that is the world in the 21st Century.
An excerpt from the love letter: Hollywood Insider’s CEO/editor-in-chief Pritan Ambroase affirms, “Hollywood Insider fully supports the much-needed Black Lives Matter movement. We are actively, physically and digitally a part of this global movement. We will continue reporting on this major issue of police brutality and legal murders of Black people to hold the system accountable. We will continue reporting on this major issue with kindness and respect to all Black people, as each and every one of them are seen and heard. Just a reminder, that the Black Lives Matter movement is about more than just police brutality and extends into banking, housing, education, medical, infrastructure, etc. We have the space and time for all your stories. We believe in peaceful/non-violent protests and I would like to request the rest of media to focus on 95% of the protests that are peaceful and working effectively with positive changes happening daily. Media has a responsibility to better the world and Hollywood Insider will continue to do so.”
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Patrick Nash is a writer and editor from St. Louis, MO. After studying Television, Radio and Film at Syracuse University's S.I. Newhouse School of Public Communications, Patrick is pursuing a career as a writer at Hollywood Insider. Through his various projects, and previous experience as an Americorps Member, where he helped deliver meals to food deserts in impoverished communities, Patrick exemplifies positive change in the entertainment industry. He aligns with Hollywood Insider because of the positive philosophy of the network and its commitment to actively avoid gossip and divisive narrative by focusing on the art itself, which is ultimately what is most important. He cares deeply about substance, meaning and philosophical values in entertainment, and is excited to express these sentiments further in his work.
Patrick Nash is a writer and editor from St. Louis, MO. After studying Television, Radio and Film at Syracuse University’s S.I. Newhouse School of Public Communications, Patrick is pursuing a career as a writer at Hollywood Insider. Through his various projects, and previous experience as an Americorps Member, where he helped deliver meals to food deserts in impoverished communities, Patrick exemplifies positive change in the entertainment industry. He aligns with Hollywood Insider because of the positive philosophy of the network and its commitment to actively avoid gossip and divisive narrative by focusing on the art itself, which is ultimately what is most important. He cares deeply about substance, meaning and philosophical values in entertainment, and is excited to express these sentiments further in his work.
Patrick Nash is a writer and editor from St. Louis, MO. After studying Television, Radio and Film at Syracuse University’s S.I. Newhouse School of Public Communications, Patrick is pursuing a career as a writer at Hollywood Insider. Through his various projects, and previous experience as an Americorps Member, where he helped deliver meals to food deserts in impoverished communities, Patrick exemplifies positive change in the entertainment industry. He aligns with Hollywood Insider because of the positive philosophy of the network and its commitment to actively avoid gossip and divisive narrative by focusing on the art itself, which is ultimately what is most important. He cares deeply about substance, meaning and philosophical values in entertainment, and is excited to express these sentiments further in his work.
