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CINEMA TOP, LATEST REVIEWS, most-featured, All the Old Knives, Angela Sarafyan, Brett Cullen, Chris Pine, cinema, Cliff Curtis, Daniel Wu, Denis Villeneuve, directorial debut, dune, Florian Zeller, Hugh Jackman, Jason Momoa, Jonathan Nolan, Jonathan Pryce, Laura Dern, Laurence Fishburne, Lisa Joy, Miami, neo-noir, Rebecca Ferguson, Reminiscence, science fiction, Thandiwe Newton, The Father, The Greatest Showman, The Son, Timothée Chalamet, westworld, zendaya, Grace Smith
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AWARDS, CINEMA TOP, FEATURES, FEATURES CINEMA, GLOBAL, LATEST REVIEWS, most-featured, 1950s, 1957, 8 ½, academy awards, August 2021, auteur, Best Foreign film, Catholicism, Cinderella, cinema, Criterion Channel, fantasy, Federico Fellini, feminism, Film, film review, foreign cinema, Giulietta Masina, Italian, Italian cinema, Italian film, Italy, La Strada, Neorealist, Nights of Cabiria, Prostitution, Rome, streaming, surrealism, tragicomedy, Jacqueline Postajian
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CINEMA TOP, LATEST REVIEWS, most-featured, addiction, Andrea Pejic, Article, Bella Thorne, Christian, cinema, Cinematography, Comedy, controversy, criminal, dark comedy, disney, Drugs, Entertainment, Faith, feature, Fight Club, Film, filmmaker, Gavin Rossdale, Habit, hollywood insider, Imagery, jesus, Libby Mintz, messages, movie, Narration, parody, religion, REQUIEM FOR A DREAM, review, Satire, Symbolism, thriller, Violence, Tony Stallings
Nuns Go Wild in Bella Thorne’s ‘Habit’, An Eccentric Idea That Fetishizes The Concept of Faith
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