Connor Garvin has been a writer for as long as he can remember. Writing has enabled him to distill the thoughts within his own head, as well as allowed him to have those same thoughts heard. Connor is a screenwriter, and filmmaker more generally, with a focus on television. He also believes that real change only occurs if everyone is heard, and is therefore a proud champion of the arts, and a kindred spirit to The Hollywood Insider and its values.
Jun 14, 2022
Table of Contents
Photo: ‘Night Sky’
Amazon has quickly become a major contender in the world of entertainment. More specifically, they have also begun producing more and more science-fiction-based content and material. Jeff Bezos, himself had a hand in rescuing the space-voyaging series, ‘The Expanse,’ which stands as one of the few sci-fi shows to be widely acclaimed by physicists and scientists, as it always tried to stick within the realm of plausibility. ‘The Expanse’ ran for three seasons on Syfy, before eventually being canceled, as is the fate for most Syfy shows (oddly enough, especially the ones people like). However, it turned out that one CEO of Amazon happened to be a casual fan of the series, and upon hearing of its demise, arranged a deal to have ‘The Expanse’ continue its run with Amazon as its new home. The show then went on to become one of their biggest hits, running for three more seasons before ending earlier this year.
And while Mr. Bezos is no longer CEO, Amazon is still pumping out the sci-fi content (and at a rate and quality far surpassing Syfy, themselves), with the company having just finished its run of season one of their ‘Outer Range’ series less than a month before the ‘Night Sky’ premiere. In 2020, they also released ‘Tales from the Loop,’ an anthology series following folks living in an almost otherworldly town. In a world where cable is dead and Syfy sucks at…well, sci-fi-ing, maybe Amazon will be where we turn to enter a dimension of not only sight and sound, but also imagination.
Senior citizens
Part of what actually made ‘Night Sky’ compelling, ended up being completely separate from any of its otherworldly, extraterrestrial elements. The show follows an elderly couple, Franklin and Irene York. Franklin is played by the one and only J.K. Simmons, and his wife, Irene, is expertly portrayed by Sissy Spacek. These are two highly skilled veteran actors, with an impressive collection of critically-acclaimed works and roles under each of their belts. Most audiences will recognize Simmons as J.J. Jameson from both Sam Raimi’s ‘Spider-Man’ trilogy, as well as the MCU Spider-Man films, having most recently been in ‘Spider-Man: No Way Home.’ Die-hard comic book fans will also be seeing more of him as DC’s Jim Gordon, commissioner for the Gotham City Police Department, a confidant for Batman, and father to Batgirl/Barbara Gordon in their upcoming ‘Batgirl’ film.
And cinephiles are no doubt still intimidated by Simmons’s celebrated performance in 2014’s ‘Whiplash,’ which nabbed him multiple Academy Awards. Sissy Spacek’s career is equally iconic, having played the titular role in the film adaptation of Stephen King’s ‘Carrie,’ and sticking with King’s horror-verse, also acted in Hulu’s ‘Castle Rock.’ She was also in all three seasons of Netflix’s ‘Bloodline,’ played Mae Tuck in ‘Tuck Everlasting,’ and was Missus Walters in ‘The Help.’ Casting these two to carry the series was a smart and effective choice, especially when involving two characters not typically seen leading modern-day television shows.
As mentioned, the show follows two elderly protagonists, senior citizens. Franklin and Irene are supposed to be in their seventies, having lived long, full lives together. These are not supporting roles or guest-starring characters, these are our heroes, our leads. In today’s world of inclusivity and diversity, hiring and casting actors from virtually every sect of intersectionality, one such social group has been consistently absent, old people. We could spend countless hours watching the seemingly endless barrage of teen shows like ‘Outer Banks,’ ‘Euphoria,’ ‘Riverdale,’ ‘Sex Education,’ etc., or the millions of mind-melting children’s movies, or the countless quarter-life, college-era, existential crisis, young adult films like ‘St. Elmo’s Fire,’ yet how many senior citizen-centric shows and/or movies are out there that you can think of? Exactly. For some reason, older people are still a group historically facing discrimination and adversity from those younger than them, despite the fact we will all eventually be in their shoes.
Throughout the show, Simmons and Spacek’s Franklin and Irene endure snide remarks, patronizing comments, belittling, doubt, and mistrust and doubt. On more than one occasion, their family raises concerns about their well-being and ability, as they still live by themselves deep into their old age, and Irene has suffered a fall within the past year. Their granddaughter even goes so far as to try and convince them to leave their house. This is a reality for too many who have aging loved ones, worried about their safety in their houses alone, yet for the elder, they are being forcibly removed from their home. Choosing to tell a story about two characters not typically represented in media proved to be a rather compelling narrative device.
Mental health
Sissy Spacek’s Irene York is not only harboring the secret of a teleportation pad in her backyard, but also one in relation to her dead son. Much of the show is spent dealing with the loss of a loved one, a loved one lost to suicide. As mentioned, Franklin and Irene have a granddaughter, who spends much of the season trying to micro-manage her aging grandparents and is played by Kiah McKirnan, whose father committed suicide when she was just five. Mental health, mental health awareness, and their depictions in works of fiction are hot topics of debate and critique (fairly), and while most of season one of ‘Night Sky’ offers a play-it-safe baseline perspective, Spacek’s Irene eventually makes a heavy confession to McKiernan’s Denise.
While I won’t spoil what said confession is, I will say I did not expect them to go there, and it serves as a sobering reminder of the importance of mental health awareness, especially for younger generations, as well as the power of one’s words. Suicide is a sensitive subject to tackle for anything, even this article, and apart from the reveal between Irene and her son’s daughter, I’m not entirely sure ‘Night Sky’ really offered anything that has not already been done or said. In fact, even the very reveal I am referencing seems to have little to no consequence, meaning, or repercussions upon it being articulated and brought to light. Perhaps season two, should the show be so lucky, will explore this theme further and have more to say, but until then, it felt sort of shy.
I’m not going to lie, watching ‘Night Sky’ kind of made me feel like an old person. I’m not really sure why. Even from the opening of the very first episode, I felt like I was watching something my grandparents would watch. Or like I was watching it with my grandparents. Or maybe like I was my grandparents. Perhaps this was the intended, desired effect? The show, again, does follow senior citizens, hobbling through their backyard at all hours of the night to teleport to alien worlds. More than that, however, I think it was that the show felt stylistically safe, maybe bland. I don’t know what that says about my perception of my grandparents, perhaps I suffer from the same ignorance towards the elderly that the show depicts, but nothing about ‘Night Sky’ really felt like it was offering anything new in terms of really anything, tone, style, genre, etc., aside from their commentary on society’s sometimes implicit, sometimes very explicit disregard for the aging.
The show also holds several similarities to Amazon’s other series, ‘Outer Range’ (which was stylistic and intentional), and even their depiction of teleportation is underwhelmingly unoriginal. I get it, stand on this pad and magically go to another place. Oh, look, it even has a glowing power core thingy. And then there’s also this secret global organization with this really dirty-looking hitman guy and they have this weird culty terminology for everything, and they go around killing people that know about these teleport chambers, and it sort of just ends up feeling like something out of a CW show. Again, maybe a second season will prove me wrong, and truly take me out of this world and explore what they’ve set up in a truly original way, but I’m not sure I’ll find myself investing the time to watch another eight or so episodes. On that note, I must say, upon completion of the entire season, I did at least enjoy the watch. There are plenty of other TV series where that has not been the case.
Cast: J.K. Simmons, Sissy Spacek, Kiah McKirnan, Chai Hansen, Julieta Zylberberg, Rocío Hernández, Adam Bartley, Cass Buggé, Piotr Adamczyk, Beth Lacke, Stephen Louis Grush, Lowrey Brown, Lily Cardone, Tim Griffin, Angus O’Brien, Ian Owens, Sonya Walger
Crew:
Directors – Philip Martin, Juan José Campanella, Shari Springer Berman, Sara Colangelo, Jessica Lowrey, Victoria Mahoney, Robert Pulcini
Producers – Daniel C. Connolly, Sam Hansen, Philip Martin, Jimmy Miller, Juan José Campanella, Peter Oberth, Sam Hansen, Thomas J. Whelan
Editor – Josh Beal, Sharidan Williams-Sotelo, Joe Giganti
Writers – Holden Miller, Daniel C. Connolly, Ezra Claytan Daniels, Anne-Marie Hess, Allison Moore
By Connor Garvin
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Connor Garvin has been a writer for as long as he can remember. Writing has enabled him to distill the thoughts within his own head, as well as allowed him to have those same thoughts heard. Connor is a screenwriter, and filmmaker more generally, with a focus on television. He also believes that real change only occurs if everyone is heard, and is therefore a proud champion of the arts, and a kindred spirit to The Hollywood Insider and its values.
Connor Garvin has been a writer for as long as he can remember. Writing has enabled him to distill the thoughts within his own head, as well as allowed him to have those same thoughts heard. Connor is a screenwriter, and filmmaker more generally, with a focus on television. He also believes that real change only occurs if everyone is heard, and is therefore a proud champion of the arts, and a kindred spirit to The Hollywood Insider and its values.
Connor Garvin has been a writer for as long as he can remember. Writing has enabled him to distill the thoughts within his own head, as well as allowed him to have those same thoughts heard. Connor is a screenwriter, and filmmaker more generally, with a focus on television. He also believes that real change only occurs if everyone is heard, and is therefore a proud champion of the arts, and a kindred spirit to The Hollywood Insider and its values.
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