Tyler Sear is an athlete and writer with a philosophical perspective to film. With aspirations to direct feature length films, Tyler brings a critical eye and philosophic approach to film, striving to give unbiased opinions while campaigning for equality and impartiality in Hollywood, today. This sense of morality makes Tyler uniquely qualified to address timely issues and recent releases within film. By tackling interesting topics, Tyler aligns with Hollywood Insider’s intentional mission to ignore sensationalized rumor and strive to present factual and entertaining content.
Jul 17, 2021
Table of Contents
Photo: ‘Pig’/Neon
Nicolas Cage has had a rather illustrious and controversial career until today. The star roared onto the film scene in the ’90s and early 2000’s with hit pieces like David Lynch’s ‘Wild at Heart’, ‘Leaving Las Vegas’, and ‘Adaptation.’ with the latter two films scoring him Academy Award nominations for Best Actor. Cage did all of this before the first iPhone was released. It was after the actor achieved megastardom that his reputation began to dirty; taking roles in poor films (‘Ghost Rider’, ‘Dying by the light’) and leading a contentious lifestyle turned the once-heralded actor into something of a joke.
In the late 2010s, however, Nic Cage enjoyed a career renaissance. This revitalization did not happen by chance, but rather because of stunning and charismatic performances that reminded the world how talented the vexatious actor is. ‘Mom and Dad’, ‘Mandy’, ‘Dog Eat Dog’, and now ‘Pig’, Cage has enjoyed a number of critical successes that all have one thing in common: Everyone loves Nicolas Cage.
In his recent successes, Cage bears the entirety of his soul on camera for all to observe. He is unhinged, bewitching, demonstrative, and most importantly charismatic. Oftentimes his performances are at their best when the director puts him in a room and says, “scream and lose your mind and I’ll film it.” However, ‘Pig’ is enormously different from most of his other recent performances. ‘Pig’ is subdued in almost every way, narratively, cinematographically, and, obviously, performatively.
‘Pig’ is a muted thriller about grief and how people cope led by the flamboyant and, in this case, somber Nicolas Cage. The film takes place in the Oregonian mountains outside of Portland where Cage and his pig hunt for truffles to feed the “growing food industry” of designer truffle chefs. Late one night someone steals Cage’s pig and he sets off to find her, stopping at nothing.
The only thing that unifies these two unlike titles is that there is a grizzled, disenfranchised man who was formerly elite at his career of choice and their pet goes missing or dies. That’s it. Narratively, thematically, and genre-wise these are two wholly unique and incomparable films. ‘Pig’ may be in the same vein as ‘John Wick’ and Liam Neeson’s ‘Taken’ but it handles its subject matter far differently, and I would not hesitate to say with more care and success as it manages to provide depth and nuance to a formerly testosterone riddled shoot-em-up brainless affair.
As mentioned previously, everything about ‘Pig’ is subdued. At several points, you will be sitting on the edge of your seat waiting for some explosion of energy or violence from Nicolas Cage and you will not get it. Cage allows his presence and intelligence to command the screen and the room altogether, rather than going for the signature over-the-top boisterousness. This provides much-needed profundity to a tired genre. Some of the best scenes in the entire film come from an emotionless Cage explaining the existential burden of losing yourself and your aspirations in the sacrifice of success. ‘Pig’ is riveting but in its own despondent way, and that is refreshing and demonstrative to Cage’s ability to the nth degree.
As denoted several times, the plot of ‘Pig’ is very simple. And simple is good, it allows for thoroughly flushed out characterization, worldbuilding, and the ability for audiences to feel absorbed into the film itself. So, Nicolas Cage and his pig are out in the deep woods living as a hermit hunting for truffles. A young kid (Alex Wolff) arrives at the dilapidated shack in a muscle car listening to classical music with a fancy suit on and buys said truffles in exchange for goods Nic uses to live off. That night, an unknown group of people breaks into the shack, assaults Nic, and steals the pig.
From here, Nic calls the kid buyer and the two set off to find the pig. A very simple premise. The plot sets itself up for a run and gun murder spree similar to the Wick trilogy but Cage never commits a single act of violence throughout the film’s run time. Instead, he speaks to people, cooks them dinner, or impresses them with his unwavering dedication to his pig. This allows Cage and Wolff, alike, to be relatable and have human issues like dealing with the loss of a loved one, struggle with an unsupportive father, or struggling with one’s career path. ‘Pig’ is a lovely, exhilarating tale of loss, grief, and coping with that pain in a fresh and human way. The human elements in ‘Pig’ set it aside and above most other films within its genre and most films in theaters today.
A Tasty Treat
‘Pig’ has some exquisite technical components which compound Wolff’s and Cage’s wonderfully emotional and sober performances. The performances cannot be understated as the two really carry the weight of the film on their shoulders. They are in every shot, every scene and really portray an immense emotional understanding of their characters’ philosophy. Wolff is a superb surprise and his recent string of successful roles (Ari Aster’s ‘Hereditary’, M. Night Shyamalan’s ‘Old’) is cementing him as a valid and justifiable leading man in Hollywood, today.
As for technical elements, ‘Pig’ is a beautifully shot film. Each photo is as beautiful as a painting and is accompanied by some creative editing choices from Brett Bachman. The photography was done by Patrick Scola who, surprisingly, is most well known for his work on short films for rappers and musicians, most notably J. Cole and Giveon. The photography was not impeccable, however. I did take issue with some of the usages of shaky cam, which I don’t particularly like in general, and at some points, in ‘Pig’ the camera was so shaky it inhibits your ability to read what’s on screen. This is a minute issue, though, and altogether I felt the photography and editing were very well done and powerful, to say the least.
A Bittersweet Resolution
‘Pig’ is a beautifully heart-wrenching story of loss and how people deal with that grief. It is a bit of a slow burn but that only adds to its somber allure. It is a wonderful film and has some very impressive performances from its leading men. The human elements of ‘Pig’, and most notably from Alex Wolff, cements this as one of the best films of 2021 thus far. You should go see this film if you have any interest in emotional, well-done cinema and enjoy a slow-burning, haunting, study of human emotions that will have you on the edge of your seat strictly through smart and potent dialogue. I recommend ‘Pig’ wholeheartedly and would implore any avid movie-goers to see this in theaters while you can.
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Tyler Sear is an athlete and writer with a philosophical perspective to film. With aspirations to direct feature length films, Tyler brings a critical eye and philosophic approach to film, striving to give unbiased opinions while campaigning for equality and impartiality in Hollywood, today. This sense of morality makes Tyler uniquely qualified to address timely issues and recent releases within film. By tackling interesting topics, Tyler aligns with Hollywood Insider's intentional mission to ignore sensationalized rumor and strive to present factual and entertaining content.
Tyler Sear is an athlete and writer with a philosophical perspective to film. With aspirations to direct feature length films, Tyler brings a critical eye and philosophic approach to film, striving to give unbiased opinions while campaigning for equality and impartiality in Hollywood, today. This sense of morality makes Tyler uniquely qualified to address timely issues and recent releases within film. By tackling interesting topics, Tyler aligns with Hollywood Insider’s intentional mission to ignore sensationalized rumor and strive to present factual and entertaining content.
Tyler Sear is an athlete and writer with a philosophical perspective to film. With aspirations to direct feature length films, Tyler brings a critical eye and philosophic approach to film, striving to give unbiased opinions while campaigning for equality and impartiality in Hollywood, today. This sense of morality makes Tyler uniquely qualified to address timely issues and recent releases within film. By tackling interesting topics, Tyler aligns with Hollywood Insider’s intentional mission to ignore sensationalized rumor and strive to present factual and entertaining content.
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